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In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
Francis Beare sees this as a haggadic expansion upon Mark, and argues that no source beyond Mark is needed to explain where this passage originates. [2] There are many parallels in this verse to earlier events in Matthew. "Angels of the Lord" play an important role in the infancy narrative, appearing at Matthew 1:20, 1:24, 2:13 and 2:19. [3]
Antonio da Correggio, The Betrayal of Christ, with a soldier in pursuit of Mark the Evangelist, c. 1522. The naked fugitive (or naked runaway or naked youth) is an unidentified figure mentioned briefly in the Gospel of Mark, immediately after the arrest of Jesus in the Garden of Gethsemane and the fleeing of all his disciples:
Christ rises from the tomb, alongside Jonah spit onto the beach, a typological allegory. From a 15th-century Biblia pauperum. One example of typology is the story of Jonah and the whale from the Old Testament. [5] Medieval allegorical interpretation of this story is that it prefigures Christ's burial, with the stomach of the whale as Christ's tomb.
Sacred Scripture wishes simply to declare that the world was created by God, and in order to teach this truth it expresses itself in the terms of the cosmology in use at the time of the writer. The Sacred Book likewise wishes to tell men that the world was not created as the seat of the gods, as was taught by other cosmogonies and cosmologies ...
The work depicts the Christian iconographic subject of the Agony of Jesus in the Garden of Olives. In this painting, Jesus Christ is accompanied by three apostles: Peter, John and James the Greater. After praying three times to God on Mount Gethsemane, Jesus receives, from three angels, the chalice and the symbols of the Passion of Christ. In ...
Typological (or allegorical) interpretation: connecting the events of the Old Testament with the New Testament, particularly drawing allegorical connections between the events of Christ's life with the stories of the Old Testament. Also, a passage speaks directly to someone such as when Francis of Assisi heard the passage to sell all he had. It ...
The Catholic theology of Scripture has developed much since the Second Vatican Council of Catholic Bishops ("Vatican II", 1962-1965). This article explains the theology (or understanding) of scripture that has come to dominate in the Catholic Church today. It focuses on the Church's response to various areas of study into the original meaning ...
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