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Minimal techno is a subgenre of techno music. [1] It is characterized by a stripped-down [ 2 ] aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit -based producers Robert Hood and Daniel Bell .
Some drew upon the Detroit techno aesthetic, while others fused components of preceding dance music forms. This led to the appearance (in the UK initially) of inventive new music that sounded far-removed from techno. For instance jungle (drum and bass) demonstrated influences ranging from hip hop, soul, and reggae to techno and house.
Gabber (/ ˈ ɡ æ b ər / GAB-ər, Dutch: ⓘ) is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture.The music is more commonly referred to as hardcore, and is characterised by fast beats, distorted and heavy kickdrums, with dark themes and samples.
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]
Synth-pop (short for synthesizer pop; [10] also called techno-pop [11] [12]) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. [13]
Psychedelic trance has a distinctive, energetic sound that tends to be faster than other forms of trance or techno music with tempos generally ranging from 125 to 150 BPM. It uses a very distinctive bass beat that pounds constantly throughout the song and overlays the bass with varying rhythms drawn from funk , techno , dance , acid house ...
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. [1] It was pioneered by 1990s electronic artists such as Aphex Twin , Carl Craig , The Orb , The Future Sound of London , the Black Dog , Pete Namlook and Biosphere .
[3] Many writers posed the question of if the aesthetic constitutes art, [1] [3] with Townsend commenting "the idea of corecore and what it can (or could) represent that has given rise to what some consider a genuine form of art by Gen-Z." [5] Ewens further questioned if the aesthetic is a "new frontier in amateur documentary making," and added ...