Search results
Results from the WOW.Com Content Network
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. [ 1 ] [ 2 ] [ 3 ] It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas ' Film-Makers ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
The zwischenzug (German: pronounced [ˈtsvɪʃənˌtsuːk], "intermediate move"; also called an in-between move) is a chess tactic in which a player, instead of playing the expected move (commonly a recapture), first interposes another move posing an immediate threat that the opponent must answer, and only then plays the expected move.
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The Purist Manifesto lays out the rules Ozenfant and Le Corbusier created to govern the Purist movement. [1] Purism does not intend to be a scientific art, which it is in no sense. Cubism has become a decorative art of romantic ornamentism. There is a hierarchy in the arts: decorative art is at the base, the human figure at the summit.
Symbolists believed that art should aim to capture more absolute truths which could be accessed only by indirect methods. They used extensive metaphor, endowing particular images or objects with symbolic meaning. They were hostile to "plain meanings, declamations, false sentimentality and matter-of-fact description". [39] [40]
Institutional critique is a practice that emerged from the developments of Minimalism and its concerns with the phenomenology of the viewer; formalist art criticism and art history (e.g. Clement Greenberg and Michael Fried); conceptual art and its concerns with language, processes, and administrative society; and the critique of authorship that begins with Roland Barthes and Michel Foucault in ...