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Main menu. move to sidebar hide. Navigation Main page; Contents; ... Pages in category "1957 paintings" The following 11 pages are in this category, out of 11 total.
Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child; Saint Julian the Hospitaller with Christ the Redeemer; Saints Dominic and Francis Saving the World from Christ ...
August 2 – Lasar Segall, Lithuanian-born Brazilian Jewish painter (b. 1891) August 15 – C. T. Loo, Chinese-born art dealer (b. 1880) August 19 – David Bomberg, English painter (b. 1890) September 13 – Adam Emory Albright, American painter of figures in landscapes (b. 1862) September 26 – Pompeo Coppini, Italian American sculptor (b. 1870)
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
Head of Christ is a painting in oil on panel by the Italian Renaissance painter Antonio da Correggio, dated 1521. It depicts the head of Christ, wearing the crown of thorns. In the background there is a white cloth showing that the image represents the Veil of Veronica, but Christ's head is given volume through alternate use of light and dark ...