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Sino-Japanese vocabulary, also known as kango (Japanese: 漢語, pronounced, "Han words"), is a subset of Japanese vocabulary that originated in Chinese or was created from elements borrowed from Chinese. Most Sino-Japanese words were borrowed in the 5th–9th centuries AD, from Early Middle Chinese into Old Japanese. Some grammatical ...
Sino-Xenic vocabularies are large-scale and systematic borrowings of the Chinese lexicon into the Japanese, Korean and Vietnamese languages, none of which are genetically related to Chinese. The resulting Sino-Japanese , Sino-Korean and Sino-Vietnamese vocabularies now make up a large part of the lexicons of these languages.
The Dai Kan-Wa Jiten (大漢和辞典, "The Great Chinese–Japanese Dictionary") is a Japanese dictionary of kanji (Chinese characters) compiled by Tetsuji Morohashi. Remarkable for its comprehensiveness and size, Morohashi's dictionary contains over 50,000 character entries and 530,000 compound words.
The First Sino-Japanese War between 1894 and 1895, primarily over control of Korea. The Second Sino-Japanese War between 1937 (some say the true start date is 1931) and 1945, from 1941 on as part of World War II; Sino-Japanese relations; Sino-Japanese Journalist Exchange Agreement; Chinese people in Japan; Japanese Chinese cuisine, the style of ...
Chinese influence on Japanese culture refers to the impact of Chinese influences transmitted through or originating in China on Japanese institutions, culture, language and society. Many aspects of traditional Japanese culture such as Taoism , Buddhism , astronomy , language and food have been profoundly influenced by China over the course of ...
Chinese characters [a] are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture. Of the four independently invented writing systems accepted by scholars, they represent the only one that has remained in continuous use. Over a documented history spanning more than three millennia, the ...
Kanbun, literally "Chinese writing," refers to a genre of techniques for making Chinese texts read like Japanese, or for writing in a way imitative of Chinese. For a Japanese, neither of these tasks could be accomplished easily because of the two languages' different structures. As I have mentioned, Chinese is an isolating language.
The Japanese yojijukugo are closely related to the Chinese chengyu, in that a great many of the former are adopted from the latter and have the same or similar meaning as in Chinese. [2] Many other yojijukugo, however, are Japanese in origin. Some examples of these indigenous Japanese four-character idioms are: