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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
Spelling and punctuation before the 16th century was highly erratic, but the introduction of printing in 1470 provoked the need for uniformity.. Several Renaissance humanists (working with publishers) proposed reforms in French orthography, the most famous being Jacques Peletier du Mans who developed a phonemic-based spelling system and introduced new typographic signs (1550).
French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include the uvular r present in some accents, nasal vowels, and three processes affecting word-final sounds:
The imperative suffixes moi + en and moi + y give as a result m’en and m’y, and analogically toi + en and toi + y become t’en and t’y. However, in colloquial speech the expressions moi-z-en, toi-z-en; moi-z-y and toi-z-y have become widespread (also registered as -z’en and -z’y).
A profound change in very late spoken Latin (Vulgar Latin, the forerunner of all the Romance languages) was the restructuring of the vowel system of Classical Latin.Latin had thirteen distinct vowels: ten pure vowels (long and short versions of a, e, i, o, u ), and three diphthongs ( ae, oe, au ). [2]
This is the pronunciation key for IPA transcriptions of French on Wikipedia. It provides a set of symbols to represent the pronunciation of French in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.
The symbol ç is the letter c with a cedilla ( ̧), as used to spell French and Portuguese words such as façade and ação. However, the sound represented by the symbol ç in French and Portuguese orthography is not a voiceless palatal fricative; the cedilla, instead, changes the usual /k/ , the voiceless velar plosive , when c is employed ...