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  2. Musical syntax - Wikipedia

    en.wikipedia.org/wiki/Musical_syntax

    The first two, the "dependency locality theory" and the "expectancy theory" refer to syntactic processing in language, whereas the third one, the "tonal pitch space theory", relates to the syntactic processing in music. The language theories contribute to the concept that in order to conceive the structure of a sentence, resources are consumed.

  3. Neuroscience of music - Wikipedia

    en.wikipedia.org/wiki/Neuroscience_of_music

    Language processing is a function more of the left side of the brain than the right side, particularly Broca's area and Wernicke's area, though the roles played by the two sides of the brain in processing different aspects of language are still unclear. Music is also processed by both the left and the right sides of the brain. [52] [55] Recent ...

  4. Temporal dynamics of music and language - Wikipedia

    en.wikipedia.org/wiki/Temporal_Dynamics_of_Music...

    Key areas of the brain are used in both music processing and language processing, such as Brocas area that is devoted to language production and comprehension. Patients with lesions, or damage, in the Brocas area often exhibit poor grammar, slow speech production and poor sentence comprehension.

  5. Cognitive musicology - Wikipedia

    en.wikipedia.org/wiki/Cognitive_musicology

    This interdisciplinary field investigates topics such as the parallels between language and music in the brain. Biologically inspired models of computation are often included in research, such as neural networks and evolutionary programs. [3] This field seeks to model how musical knowledge is represented, stored, perceived, performed, and ...

  6. Music-related memory - Wikipedia

    en.wikipedia.org/wiki/Music-related_memory

    Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop.

  7. Musical semantics - Wikipedia

    en.wikipedia.org/wiki/Musical_semantics

    In both, language and music, both concrete and abstract target words elicited significant N400 effects. The N400 effect (that means, the effect of unprimed versus primed target words) did not differ between the language domain (sentences followed by target words) and the music domain (musical excerpts followed by target words), concerning ...

  8. Aniruddh D. Patel - Wikipedia

    en.wikipedia.org/wiki/Aniruddh_D._Patel

    A 2018 collaboration between Ola Ozernov-Palchik and Patel [17] examines rhythmic processing in music to see if beat-based musical processing may have any effect on reading abilities and, if so, what significance this may have on the reading abilities of young children. Patel's OPERA hypothesis suggests that adaptive plasticity for specific ...

  9. Computational musicology - Wikipedia

    en.wikipedia.org/wiki/Computational_musicology

    One developing sociomusicological theory in computational musicology is the "Discursive Hypothesis" proposed by Kristoffer Jensen and David G. Hebert, which suggests that "because both music and language are cultural discourses (which may reflect social reality in similarly limited ways), a relationship may be identifiable between the ...