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Graphic design is the practice of combining text with images and concepts, most often for advertisements, publications, or websites.The history of graphic design is frequently traced from the onset of moveable-type printing in the 15th century, yet earlier developments and technologies related to writing and printing can be considered as parts of the longer history of communication.
The History of Graphic Design, Volume 1 explores the development of graphic design from the end of the 19th Century to the end of the 1950s. [6] It covers historically significant design styles like Futurism and the New Typography, and includes biographies of designers such as Henry van de Velde, Karel Teige, and James Pryde and William Nicholson.
The Jugendstil, or "Young Style", was centered in Munich, and was the German variant of Art Nouveau. Its most prominent graphic artist was Otto Eckmann, who produced numerous illustrations for the movement's journal, Jugend, in a sinuous, floral style that was similar to the French style. He also created a type style based upon Japanese ...
Throughout history, technological inventions have shaped the development of graphic art. In 2500 BC, the Egyptians used graphic symbols to communicate their thoughts in a written form known as hieroglyphics. The Egyptians wrote and illustrated narratives on rolls of papyrus to share the stories and art with others. [4]
Within the visual arts, [1] the applied arts, [2] such as industrial design, graphic design, fashion design, interior design, and decorative art [3] are also included. Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case.
Since Impressionism the modern art styles were reflected in graphic design and typography too. Around 1890 Art Nouveau became popular. Its floral ornaments, the curved forms, as well as the emphasis on graphical realisation inspired the type designers of the start of the 20th century.
Meggs, Philip B. History of Graphic Design (1998. John Wiley & Sons) ISBN 0-470-04265-6. Vasilieva E. (2022) Jan Tschichold and the concept of the new: a picture of the world and an artistic program // Terra Artis. Arts and Design, 3, 34-49. IDEA Magazine No 321: Works of Jan Tschichold. Stirton, Paul (2019).
A global perspective of design history meant that there was a growth in understanding design history from a global context. This meant that there became different understandings of design history and acknowledging its processes, production and consumption based on the different cultural contexts. This was done through what is called globalization.