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Greatest Hits is a greatest hits album by British-American rock band Fleetwood Mac, released on 21 November 1988 by Warner Bros. Records. [3] It covers the period of the band's greatest commercial success, from the mid-1970s to the late-1980s.
Greatest Hits is a compilation album by the British blues rock band Fleetwood Mac released on CBS Records in the United Kingdom in 1971. The album assembles the band's hit singles in the UK covering the period from the band's beginning in 1968 to 1971, mostly in its original incarnation led by guitarist Peter Green.
The 1967–1969 era Blue Horizon albums (Fleetwood Mac, Mr. Wonderful, The Pious Bird of Good Omen, and Fleetwood Mac in Chicago) and the 1971 outtakes album The Original Fleetwood Mac have been remastered and reissued on CD, as have the 1975–1987 era Warner Bros. studio albums (Fleetwood Mac, Rumours, Tusk, Mirage, and Tango in the Night).
The Very Best of Fleetwood Mac is an enhanced compilation album released by British-American rock band Fleetwood Mac in 2002 to promote their then-upcoming album Say You Will (2003). It was released as a double album in the US on 12 October 2002 and as a single disc in the UK.
It should only contain pages that are Fleetwood Mac songs or lists of Fleetwood Mac songs, as well as subcategories containing those things (themselves set categories). Topics about Fleetwood Mac songs in general should be placed in relevant topic categories .
The Best of Peter Green's Fleetwood Mac is a compilation album by British blues rock band Fleetwood Mac released in November 2002 and focusing on the Peter Green years. The album serves as a digitally remastered replacement for the band's Greatest Hits, with the remastering and cover art taken from the 1999 box set The Complete Blue Horizon Sessions 1967–1969.
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Ed Harrison of Billboard identified "What Makes You Think You're the One" as a "sarcastic and light-hearted" song with "steady" instrumentation. [6] Paste ranked the song number 26 on its list of the 30 greatest Fleetwood Mac songs, commenting that it sounds "like a demo, [which] is perfect for Buckingham’s ragged, drug-addled vocals". [7]