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No Depression in Heaven" (Roud 17321, sometimes simply "No Depression") is a song that was first recorded by the original Carter Family in 1936 during the Great Depression. Although A. P. Carter has frequently been credited as the author, some sources attribute the song to James David Vaughan .
No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989. [ 1 ]
No Depression may refer to: No Depression, a roots music website and quarterly print journal (2015-present). Formerly a bi-monthly roots music magazine (published 1995–2008). "No Depression in Heaven", a 1936 song popularized by the Carter Family; No Depression, a 1990 album by the alternative country band Uncle Tupelo
No Depression is a quarterly roots music journal with a concurrent online publication. In print, No Depression is an ad-free publication focused on long-form music reporting and deep analysis that ties contemporary artists with the long chain of American roots music. [2] In April 2020, No Depression introduced digital versions of their print ...
"Seattle" is a song composed by Hugo Montenegro with lyrics by Jack Keller and Ernie Sheldon. It was used as the theme for the 1968 – 1970 ABC-TV United States television show Here Come the Brides , [ 1 ] which was set in 19th-century Seattle , Washington.
New World Depression is the fourth studio album by American hip hop duo Suicideboys. It was released on June 14, 2024 via G*59 Records and preceded by three singles: " Us vs. Them ", " Are You Going to See the Rose in the Vase, or the Dust on the Table " and " The Thin Grey Line ".
Taylor Swift. Jeff Kravitz/TAS23/Getty Images for TAS Rights Management When Taylor Swift’s depression works the graveyard shift, she makes a playlist about it. Swift, 34, partnered with Apple ...
No Depression ' s Matt Conner similarly notes that the outtakes are not a "lazy release of anything from the cutting room floor; instead, it’s a thoughtful collection of found objects that will undoubtedly please Griffin’s substantial fan base" with his only complaint being that the album was not longer.