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Mosquito coil Mosquito coil. A mosquito coil is a mosquito-repelling incense, usually made into a spiral, and typically made using dried paste of pyrethrum powder. The coil is usually held at the center of the spiral, suspending it in the air, or wedged by two pieces of fireproof netting to allow continuous smoldering.
Characteristic of most kofun are haniwa clay terra cotta figures whose origin and purpose is unknown. [31] A haniwa of an armoured man has been designated as National Treasure; and a 1st-century gold seal, designated a National Treasure, shows one of the earliest mentions of Japan or Wa. [32] [33]
Incense burner (kōro) with peonies, Hirado ware, circa 1800 from Edo. According to legend, agarwood (aloeswood) first came to Japan when a log of incense wood drifted ashore on Awaji island in the third year of Empress Suiko's reign (595 CE). People who found the incense wood noticed that the wood smelled pleasant when they put it near a fire.
Fragrant scent played an important role at court during the Heian period (image from The Tale of Genji by Tosa Mitsuoki, 1617–91.). Nihon Shoki, a book of classical Japanese history, gives the first formal record of incense in Japan when a log of agarwood, a fragrant wood used in incense burning, drifted ashore on Awaji Island during the Asuka period in 595 CE, and was presented to Prince ...
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Koro (Japanese: 香炉, kōro), also a Chinese term, is a Japanese censer often used in Japanese tea ceremonies. Examples are usually of globular form with three feet, made in pottery, Imari porcelain, Kutani ware, Kakiemon, Satsuma, enamel or bronze. In Japan a similar censer called a egōro (柄香炉) is used by several Buddhist sects. The ...
Coil: Extruded and shaped into a coil without a core, coil incense can burn for an extended period, from hours to days, and is commonly produced and used in Chinese cultures. Cone: Incense in this form burns relatively quickly. Incense cones were invented in Japan in the 1800s.
The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British scholar, collector and philanthropist Nasser D. Khalili. [2]
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