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Hanuman and Sita puppets from the tholu bommalata tradition of Andhra Pradesh, India. Tholu bommalata is a form of puppetry which originated in the Indian state of Andhra Pradesh. [2] It mainly depicts episodes from the epics. Puppets are large, with a jointed waist, shoulders, elbows, and knees.
Mridangam. Venkateswara Rao was born in 1947, in the south Indian state of Andhra Pradesh in a family of musicians [3] to Rama Murthy and Mahalaxmi. [4] He started his music training at the age of 7 in vocals, violin and veena, apart from mridangam but, later, concentrated more on mridangam and trained under his uncle, Yella Somanna, a known mridangam guru, [5] who later adopted the young Rao. [4]
Patnaik is the current president of Andhra Pradesh Cine Music Association. [ 7 ] Other prominent Telugu film score and soundtrack composers of the present include K. Chakravarthy , Raj–Koti , Mani Sharma , Devi Sri Prasad , Mickey J Meyer , Ramana Gogula , R. P. Patnaik , Chakri (music director) , Kalyani Malik , S. Thaman , S. V. Krishna ...
The culture of Andhra Pradesh embodies some very exclusive and special entities. Women wear Venkatagiri, Pedana, Bandarulanka, Uppada, Mangalagiri, Dharmavaram sarees. The exclusive metal ware, brass, stone and wood carving from Budithi in Srikakulam District and Veenas from Bobbili and colourful toys from Etikoppaka and Kondapalli highlight ...
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Andhranatyam, the ancient classical temple dance of Andhra which has been in vogue for the past 2000 years. It was performed in the Buddhist Aramas, temples, and royal courts by the cultured and dedicated female artists. Andhranatyam is formerly known with different names like Aradhana, Kacheri, Darbar, Kelika, Chinna Melam, Mejuvani, and Dasi ...
Kuchipudi declined and was a dying art in 17th-century Andhra, [52] but in 1678, the last Shia Muslim Sultan of Golkonda, Abul Hasan Tana Shah, saw a Kuchipudi performance and was so pleased that he granted the dancers lands around the Kuchipudi village, with the stipulation that they continue the dance-drama.
The singing style and the conventions of vocal delivery that accompany tholu bommalata closely resemble the form of singing from an old-fashioned drama genre known as Satyabhamakalapam. Accompanied only by the drum and finger cymbals, the player sings raising his hand up to one ear, as if to listen to what he is singing.
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