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This is a truncated, illustrated list of works by Alphonse Maria Mucha, and shows few examples of the many iconic images for which he is famous. The list does not include all of Mucha's 1910-1928 series The Slav Epic.
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
The Mucha museum was founded by Sebastian Pawlowski, a Swiss entrepreneur who had bought and renovated Kounice Palace . He approached John Mucha with the idea for a gallery of Mucha works. [1] The museum was opened in February 1998 by the Muchovo Muzeum s.r.o, a Czech company, containing works from the Mucha Trust Collection.
The Slav Epic 1930 exhibition poster. Alphonse Mucha spent many years working on The Slav Epic cycle, which he considered his life's masterwork. He had dreamed of completing such a series, a celebration of Slavic history, since the turn of the 20th century; however, his plans were limited by financial constraints.
The most important artist of this period is Alphonse Mucha. The work he is most known for is his commercial art from the 1890s which he created in Paris. However, he considered his masterpiece to be the Slav Epic, a visual exploration of the history of the Slavic peoples of Eastern Europe.
[4] [5] Mucha's panels also bear some resemblance to Japanese woodcuts. Indeed, Mucha was influenced by Japanese art, like many other 19th- and 20th-century European artists. [6] The female figures in Mucha's works were "entwined in vaporous hair and light dresses inspired by nature, such as willowy foliage," as well as adorned in extravagant ...
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Gauguin, c. 1895, playing a harmonium at Alphonse Mucha's studio at rue de la Grande-Chaumière, Paris (Mucha photo) Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris. "The theme of Oviri is death, savagery, wildness. Oviri stands over a dead she-wolf, while crushing the life out of her cub."
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