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Figurational sociology is a research tradition in which figurations of humans—evolving networks of interdependent humans—are the unit of investigation. Although more a methodological stance than a determinate school of practice, the tradition has one essential feature:
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
The starting point for the new figuration were movements focused on the subjective perception of reality, such as expressionism, which was the first to radically break away from realistic representation and interpret individual feelings independently of reality, surrealism with its concept of the inner model, and especially informel as an ...
Because of the difficulty of doing this for an extended period of time, periodic breaks for the model to rest and/or stretch are usually included in longer sessions and for more difficult poses. At the beginning of a figure drawing session, the model is often requested to make a series of brief poses in rapid succession.
Figuration may refer to: In classical music, the use of repetitive patterns; see Figure; Figurative art, artwork that is derived from real object sources;
Prior to the 1980s, the "standard pragmatic" model of comprehension was widely believed. In that model, it was thought the recipient would first attempt to comprehend the meaning as if literal, but when an appropriate literal inference could not be made, the recipient would shift to look for a figurative interpretation that would allow comprehension. [30]
Even though the Social Security Administration considers you to be retired as soon as you start collecting benefits, you can still continue to work and receive benefits. Working in retirement can ...
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...