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The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades.In this context, the word Rape refers to the traditional translation of the Latin raptus ('seized' or 'carried off') which refers to bride kidnapping rather than the potential ensuing sexual violence.
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
The ancient myth of the Rape of Persephone is depicted in high relief on the sarcophagus. Persephone is carried away to the underworld by Pluto, the god of the underworld, with the help of Athena and Eros, on a quadriga led by the divine messenger Hermes. The hellhound Cerberus is found at Hermes' feet near the death god Tartarus.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage.
Many katabatic figures (including Hercules, Dionysus, and Jesus Christ) also undergo apotheosis; Dying-and-rising god, a mythological trope in which a god dies and then returns from the Afterlife and/or is reborn, sometimes cyclically. Examples include Dionysus, Persephone, Ishtar, and Jesus Christ. Kenosis
Perseis' name has been linked to Περσίς (Persís), "female Persian", and πέρθω (pérthō), "destroy" or "slay" or "plunder". [citation needed]Kerenyi also noted the connection between her and Hecate due to their names, denoting a chthonic aspect of the nymph, as well as that of Persephone, whose name "can be taken to be a longer, perhaps simply a more ceremonious, form of Perse ...