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Cultural depictions of the Salem witch trials abound in art, literature and popular media in the United States, from the early 19th century to the present day. The literary and dramatic depictions are discussed in Marion Gibson's Witchcraft Myths in American Culture (New York: Routledge, 2007) and see also Bernard Rosenthal's Salem Story ...
The Swedish cunning woman Gertrud Ahlgren of Gotland (1782–1874), drawing by Pehr Arvid Säve 1870. In Scandinavia, the klok gumma ("wise woman") or klok gubbe ("wise man"), and collectively De kloka ("The Wise ones"), as they were known in Swedish, were usually elder members of the community who acted as folk healers and midwives as well as using folk magic such as magic rhymes. [11]
Cotton Mather attributes the plague of witchcraft in New England in about an equal degree to the Quakers and Indians. The first of the sect who visited Boston, Ann Austin and Mary Fisher, the latter a young girl, were seized upon by Deputy Governor Bellingham in the absence of Gov. Endicott, and shamefully stripped naked for the purpose of ...
This dark period of history reflects the confluence of superstition, fear, and authority, as well as the societal tendency of scapegoating. A feminist interpretation of the witch trials is that misogyny led to the association of women and malevolent witchcraft. [1] Russia also had witchcraft trials during the 17th century.
The Salem witch trials followed in 1692–93. These witch trials were the most famous in British North America and took place in the coastal settlements near Salem, Massachusetts. Prior to the witch trials, nearly three hundred men and women had been suspected of partaking in witchcraft, and nineteen of these people were hanged, and one was ...
In Britain in the Late Medieval and Early Modern periods, folk magic was widely popular. Many individuals knew of some magical charms and spells, but there were also professionals who dealt in magic, including charmers, fortune tellers, astrologers and cunning folk, the last of whom were said to "possess a broader and deeper knowledge of such techniques and more experience in using them" than ...
The history of magic extends from the earliest literate cultures, who relied on charms, divination and spells to interpret and influence the forces of nature. Even societies without written language left crafted artifacts, cave art and monuments that have been interpreted as having magical purpose.
In the early 18th century, as belief in witchcraft was waning, the art became increasingly respectable and shows would be put on for rich private patrons. A notable figure in this transition was the English showman, Isaac Fawkes, who began to promote his act in advertisements from the 1720s—he even claimed to have performed for King George II ...