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Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
Water-based paint and India ink reverse glass painting 1912 Improvisation 26: Lenbachhaus, Munich 97 x 107.5 1912 Improvisation 27 (Garden of Love II) Metropolitan Museum of Art, New York 120.3 x 140.3 1912 Picture with Pince-nez: Musée National d'Art Moderne, Paris 32.5 x 22.5 Water-based paint and India ink reverse glass painting 1912 Sketch ...
Organic forms are typically irregular and asymmetrical. This form can be found in nature, such as flowers, rocks, trees, etc., but can also be seen in architecture. [7] Forms in drawing and painting convey the illusion of three-dimensional form through lighting, shadows, value, and tone.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
He spent the remaining fifteen years of his life in mental hospitals, where he continued to draw and paint. Some of his later abstract paintings have been seen as precursors of psychedelic art. Wain produced hundreds of drawings and paintings a year for periodicals and books, including Louis Wain's Annual which ran from 1901 to 1921.
Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506. Trompe-l'œil (French for 'deceive the eye'; / t r ɒ m p ˈ l ɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.
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