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A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them. Do not attempt to re-create the emotional impact of the work through the plot summary.
Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the "script development" department of a production company. [1] While coverage may remain entirely oral, it usually takes the form of a written report, guided by a rubric that varies from company to company. [ 2 ]
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
An executive summary (or management summary, sometimes also called speed read) is a short document or section of a document produced for business purposes. It summarizes a longer report or proposal or a group of related reports in such a way that readers can rapidly become acquainted with a large body of material without having to read it all.
It is the full story in its simplest form, moving from the concept, to the theme, to the character, to the detailed synopsis of about four to eight pages of master scenes. Presentation treatments are used to show how the production notes have been incorporated into the screenplay for the director and production executives to look over, or to ...
A daily production report (DPR) or production report (PR) in filmmaking is the form filled out each day of production for a movie or television show to summarize what occurred that day. There is no standard template for a production report and each show usually has an original template, often created before production begins by one of the ...
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In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]