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Thomas Louis, who had earlier translated books on Wilde into French, produced his own L'esprit d'Oscar Wilde in 1920. [266] Modern books include Philippe Jullian's Oscar Wilde, [267] and L'affaire Oscar Wilde, ou, Du danger de laisser la justice mettre le nez dans nos draps (The Oscar Wilde Affair, or, On the Danger of Allowing Justice to put ...
1999 saw the publication of Oscar Wilde on Stage and Screen by Robert Tanitch. This book is a comprehensive record of Wilde's life and work as presented on stage and screen from 1880 until 1999. It includes cast lists and snippets of reviews. In 2000 Barbara Belford, a professor at Columbia University, published Oscar Wilde: A Certain Genius.
A House of Pomegranates is a collection of fairy tales written by Oscar Wilde, published in 1891. It is Wilde's second fairy tale collection, following The Happy Prince and Other Tales (1888). He said of the book that it was "intended neither for the British child nor the British public". [1]
The book contains a timeline of Oscar Wilde's life, includes some of his drawings and his famous letter to his lover, Lord Alfred Douglas, known as De Profundis. Expurgated editions of De Profundis had been published by Wilde's literary executor Robbie Ross from 1905, but the 1962 edition published by Rupert Hart-Davis was the first full and ...
This is a bibliography of works by Oscar Wilde (1854–1900), a late-Victorian Irish writer. Chiefly remembered today as a playwright, especially for The Importance of Being Earnest, and as the author of The Picture of Dorian Gray; Wilde's oeuvre includes criticism, poetry, children's fiction, and a large selection of reviews, lectures and journalism.
The Picture of Dorian Gray is a philosophical fiction and gothic horror novel by Irish writer Oscar Wilde.A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine.
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...