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Paulette Goddard (born Marion Levy; June 3, 1910 – April 23, 1990) was an American actress and socialite. Her career spanned six decades, from the 1920s to the early 1970s. She was a prominent leading actress during the Golden Age of Hollywood.
Paris Model is a 1953 American comedy drama film directed by Alfred E. Green and starring Marilyn Maxwell, Paulette Goddard, Eva Gabor and Barbara Lawrence. [2] It is an anthology featuring four separate parts, each focused on one of the four actresses. It was distributed by Columbia Pictures.
Paulette Goddard as Kitty. To acquire a Cockney accent, Goddard shared a room for a time with the mother of actress Ida Lupino, who had a very pronounced one. She learned upper-class diction from Constance Collier. Upon seeing this film, the director Jean Renoir decided to cast Goddard in his film The Diary of a Chambermaid. Ray Milland as Sir ...
The most heartening part of it all, though, aside from the pleasure we derive from hearing witty lines crackle on the screen, is the way Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard and the others have leaped at the chance to be vixens. ... even Miss Shearer's Mary sharpens her talons finally and joins the birds of prey ...
Claudette Colbert, Paulette Goddard, and Veronica Lake star as American Red Cross nurses sent to the Philippines during the early days of World War II. George Reeves and Sonny Tufts (in his film debut) also star in major supporting roles.
A maid, in cahoots with Madame Zenobia, a fake psychic, fools Jo Ainsly into believing Zenobia to be a gifted fortune teller.. Madame Zenobia helps a young beauty queen, Toni Gerard, find a job with Pop Tibbots in an arcade.
Paulette Goddard works hard; but for the most part the acting is little superior to the material." [5] The New York Times wrote, "A THIRD-RATE British-made whodunit called The Unholy Four, featuring Paulette Goddard and a nondescript cast ... A few more fly-by-nights like this Lippert presentation, produced and written by Michael Carreras, and ...
Filmmaker Reginald LeBorg on directing Goddard in Sins of Jezebel: “She was not a great actress, but she was nice to work with.” [11] Film historian Wheeler W. Dixon reports that despite the widescreen effects “it is still a cheap and tacky spectacle which lacks any real distinction.” [ 12 ] According to Dixon, the film was “designed ...
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