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  2. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).

  3. Messiah Part II - Wikipedia

    en.wikipedia.org/wiki/Messiah_Part_II

    Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah , repeated in homophony , in a characteristic simple motif for the word, playing with the interval of a second , which re-appears throughout the piece.

  4. List of major/minor compositions - Wikipedia

    en.wikipedia.org/wiki/List_of_major/minor...

    Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]

  5. Music written in all major or minor keys - Wikipedia

    en.wikipedia.org/wiki/Music_written_in_all_major...

    In fact, apart from Nos. 7 and 8, the first series (Op. 10) is made of couples of études in a major key and its relative minor (the major key either preceding the minor key or following it) with none of the tonalities occurring twice (except for C major, which appears in No. 1 and then in the only couple which is not major-minor, i.e. Nos. 7 ...

  6. A-flat major - Wikipedia

    en.wikipedia.org/wiki/A-flat_major

    A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...

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  8. Billy Joel's 'Piano Man': The True Story Behind the Classic - AOL

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  9. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    USi – e.g. C minor over C 7, resulting in C 7 ♯ 9; US ♭ ii – e.g. D ♭ minor over C 7, resulting in C 7 ♭ 9 ♭ 13; US ♭ iii – e.g. E ♭ minor over C 7, resulting in C 7 ♯ 9 ♯ 11; The second item in the list above (C 7 ♭ 9 ♯ 11) has a related version called upper structure sharp four minor--with the written shorthand US ...

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