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No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring Alena Penz, Alexander Grill and Rinaldo Talamonti. It is part of the cycle of Bavarian sex comedies made during the era [1] Location shooting took place in Austria.
The German version ended up in the film but the English version is available on an international version of the soundtrack. The title-song "Garden Of Growing Hearts" was performed by Berlin band Empty Trash. The original film score was composed by Heiko Maile, a member of the band Camouflage. "Intro" – Jürgen Vogel & Tim Oliver Schultz
The Hartmanns, an upper-middle-class Munich family, include Angelika, a former teacher, and her husband Richard, a prominent orthopedic surgeon, both in their sixties; their daughter Sofie, 31, an unmarried permanent student currently studying psychology; her older brother Philipp, a successful business lawyer undergoing a messy divorce, and his 12-year-old son Bastian (Basti).
The Edge of Heaven (German: Auf der anderen Seite, literally On the Other Side, Turkish: Yaşamın Kıyısında) is a 2007 Turkish-German drama written and directed by Fatih Akın. The film won the Prix du scénario at the 2007 Cannes Film Festival , [ 2 ] was Germany's entry in the category Best Foreign Language Film at the 2007 Oscars , [ 3 ...
Auf Wiedersehen is a 1961 West German film directed by Harald Philipp and starring Gert Fröbe, Joachim Fuchsberger, Günter Pfitzmann, Werner Peters and Elke Sommer. [2] It was based on a novel by Reinhold Pabel and features Louis Armstrong in a cameo role. [1] It was shot at the Spandau Studios in Berlin.
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The film is based on the 1975 country and western novelty song "Convoy" by C. W. McCall. The film was made when the CB radio / trucking craze was at its peak in the United States, and followed the similarly themed films Moonfire (1970), Duel (1971), Deadhead Miles (1973), Hijack (1973), White Line Fever (1975), Smokey and the Bandit (1977), La ...
The film received negative to mixed reviews from critics. Review aggregator Rotten Tomatoes reported that 35% of critics gave the film positive reviews, based on 103 reviews, with an average rating of 5.1/10. The site's consensus states: "Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess ...
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