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B. Babe (Sugarland song) Baby Can I Hold You; The Ballad of Davy Crockett; The Ballad of Eskimo Nell; The Ballad of John and Yoko; Ballad of Sir Frankie Crisp (Let It Roll)
The Caller (folk song) Can't Help Thinking About Me; The Cat Sat Asleep by the Side of the Fire; Catcheside-Warrington's Tyneside Songs; Catcheside-Warrington's Tyneside Stories & Recitations; John W. Chater; Chater's Annual; Cherry Ripe (song) Child Ballads; The Cliffs of Old Tynemouth; Cob coaling; Cock a doodle doo; Cock Robin; A Collection ...
Blues ballads are usually anonymously authored and were performed by both black and white musicians in the early 20th century. Ballads about anti-heroes include "Wild Bill Jones", "Stagger Lee" and "John Hardy". [4] The most famous blues ballads that deal with heroes in the context of industrialisation include those about John Henry and Casey ...
In the mid-1980s a new rebirth of English folk began, this time fusing folk with energy and political aggression derived from punk rock. Leaders included The Pogues, The Men They Couldn't Hang, Oyster Band and Billy Bragg. [42] Folk dance music also became popular in the 80s, with acts like the English Country Blues Band and Tiger Moth. [43]
This list (like the article List of the Child Ballads) also serves as a link to articles about the songs, which may use a very different song title. The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the ...
In 2003 English folk singer June Tabor recorded the album An Echo of Hooves consisting entirely of Child ballads (210, 212, 161, 195, 191, 106, 74, 215, 88, 20, 58). [ 14 ] Child ballad 95, The Maid Freed from the Gallows has appeared in several recordings of blues and rock bands, notably by Lead Belly as "Gallis Pole" and on the album Led ...
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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.