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Ballet is a French word which had its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance", [1] [2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work , turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities.
Ballet technique is also used to exhibit ballon, the appearance of gravity-defying lightness, during leaps. Pointe technique is the part of ballet technique concerned with dancing on the tips of fully extended feet. The core techniques of ballet are common throughout the world, though there are minor variations among the different styles of ballet.
Balanchine’s legacy in shaping ballet technique and dancer aesthetics is profound and lasting. His influence not only transformed American ballet but left an indelible mark on the global ballet culture. Today, the “Balanchine body” and the principles of his technique continue to be both celebrated and criticized.
Ballet is a strict form of art, [3] and the dancer must be very athletic and flexible. [4] Three ballet dancers performing a grand jeté jump Ángel Corella as Aminta in Frederick Ashton's version of the ballet Sylvia, 2005. Ballet dancers begin their classes at the barre, a wooden beam that runs along the walls of the ballet studio. Dancers ...
A contemporary ballet leap. Contemporary ballet is a genre of dance that incorporates elements of classical ballet and modern dance. [1] It employs classical ballet technique and in many cases classical pointe technique as well, but allows a greater range of movement of the upper body and is not constrained to the rigorously defined body lines and forms found in traditional, classical ballet.
Jones is grateful for the growing trend of women beginning their ballet careers in their 20s. She hopes to see more women documenting their experiences online in the future.
Ballet in Western Culture: A History of its Origins and Evolution. New York: Routledge. ISBN 0-415-94256-X. Lifar, Serge. (1954). A history of Russian ballet from its origins to the present day (Hutchinson) McGowan, Margaret M. (1978). L'art du ballet de cour en France, 1581–1643. Paris: Centre National de la Recherche Scientifique.