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A great number of Vietnamese oversea artists like Huong Lan, Phuong Mai, Elvis Phuong, Hoai Linh, Dalena, etc., have been back to Vietnam more frequently to perform with other Vietnamese local artists. Such a musical exchange has facilitated the buildup of the relationship between Vietnamese artists and those outside the country.
Quang Lê was born in Vietnam, 1975), with family roots from Central Vietnam in the City of Huế. [1] His Vietnamese accent is “Huế (central accent),” one of the main Vietnamese dialects in Vietnam, but he is able to imitate the southern accent, and he sings with a mixed accent.
Lê Lâm Quỳnh Như was born in Đông Hà, Quảng Trị Province, South Vietnam, on 9 September 1970, [1] [2] to father Lê Văn Chánh, as the oldest child with two younger brothers, one named Tường Khuê. [3]
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
Phạm Tuyên was born on January 12, 1930, at rural commune Lương Ngọc, urban commune Bình Giang, province Hải Hưng.He is the ninth child of the very famous journalist, scholar and culture researcher Phạm Quỳnh (1892–1945) (Was executed by Viet Minh in 1945).
Đờn ca tài tử Orchestra in Saigon, 1911. Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam.
Nhạc dân tộc cải biên is a modern form of Vietnamese folk music which arose in the 1950s after the founding of the Hanoi Conservatory of Music in 1956. This development involved writing traditional music using Western musical notation, while Western elements of harmony and instrumentation were added.