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Three philosophers for whom imagination is a central concept are Kendall Walton, John Sallis and Richard Kearney. See in particular: Kendall Walton, Mimesis as Make-Believe: On the Foundations of the Representational Arts. Harvard University Press, 1990. ISBN 0-674-57603-9 (pbk.). John Sallis, Force of Imagination: The Sense of the Elemental (2000)
Using the sociological imagination to analyze feature films is somewhat important to the average sociological standpoint, but more important is the fact that this process develops and strengthens the sociological imagination as a tool for understanding. Sociology and filmmaking go hand-in-hand because of the potential for viewers to react ...
An imagined community is a concept developed by Benedict Anderson in his 1983 book Imagined Communities to analyze nationalism.Anderson depicts a nation as a socially-constructed community, imagined by the people who perceive themselves as part of a group.
In that sense, the imaginary is not necessarily "real" as it is an imagined concept contingent on the imagination of a particular social subject. Nevertheless, there remains some debate among those who use the term (or its associated terms, such as imaginaire ) as to the ontological status of the imaginary.
A similar concept existed in Greek culture, where Muses were seen as mediating inspiration from the gods. [17] Romans and Greeks invoked the concept of an external creative "daemon" (Greek) or "genius" (Latin), linked to the sacred or the divine. However, none of these views are similar to the modern concept of creativity, and the rejection of ...
Now Hear This is a monthly A&R column that provides you with exciting new sounds we discovered through the innovative new music platform Groover. Each month, you can expect a varied bouillabaisse ...
The Sociological Imagination is a 1959 book by American sociologist C. Wright Mills published by Oxford University Press. In it, he develops the idea of sociological imagination , the means by which the relation between self and society can be understood.
The Imaginary: A Phenomenological Psychology of the Imagination (French: L'Imaginaire: Psychologie phénoménologique de l'imagination), also published under the title The Psychology of the Imagination, is a 1940 book by the philosopher Jean-Paul Sartre, in which the author propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human ...