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The False Mirror is a surrealist oil on canvas painting by René Magritte, from 1928. It depicts a human eye framing a cloudy, blue sky. [1] [2] [3] In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. [4] [5] [6] The painting's original French title is Le faux miroir. [7]
The Telescope (French: Le Téléscope) is a 1963 oil on canvas painting by René Magritte. [1] The painting depicts a window through which a partly clouded blue sky can be seen. However, the right side of the window is partially open, revealing a black background where the viewer would expect to see a continuation of the clouds and sky.
René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
This is a list of the works of Belgian painter René Magritte (21 November 1898 – 15 August 1967), a key surrealist painter known for the wittiness of his work. [ 1 ] Paintings
A René Magritte painting depicting an eerily lit streetscape has smashed the auction record for the Surrealist artist’s work. René Magritte’s ‘L’empire des lumières’ sells for record ...
Magritte lived in a similar suburban environment, and dressed in a similar fashion. The bowler hat was a common feature of much of his work, and appears in paintings such as The Son of Man. Charly Herscovici, who was bequeathed copyright on the artist's works, commented on Golconda: Magritte was fascinated by the seductiveness of images.
The Empire of Light II (1950), oil on canvas, 79 x 99 cm. Museum of Modern Art, New York. Although Magritte had already completed a few versions by 1953, a retrospective at the 1954 Venice Biennale included a 1954 version (now in the Peggy Guggenheim Collection) that attracted several collectors with expectations of buying the painting.
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