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Vietnamese literature (Vietnamese: Văn học Việt Nam) is the literature, both oral and written, created largely by the Vietnamese. Early Vietnamese literature has been greatly influenced by Chinese literature.
Phạm Xuân Nguyên speaks Russian, French, and English, and has translated works from all of those languages into Vietnamese. [4] He was first exposed to the works of Milan Kundera in their Russian translations in the Union of Russian Writers journal Foreign Literature («Иностранная литература»), and himself translated Immortality (which was originally in Czech) into ...
A house on Điện Biên Phủ Road, formerly Cột Cờ Road. Xuân Diệu lived at 24 Cột Cờ Road, in an apartment above Huy Cận's family until his death in 1985. After the Việt Minh gained victory in 1954, Xuân Diệu returned to Hanoi and published both as a poet and as a journalist.
Hoàng Xuân Hãn (Đức Thọ, 1908 – Paris, 10 March 1996) was a Vietnamese professor of mathematics, linguist, historian and educationalist. He was Minister of Education in the short-lived 1945 cabinet of historian Trần Trọng Kim and drafted and issued the first Vietnamese education program.
𤾓 Trăm 𢆥 năm 𥪞 trong 𡎝 cõi 𠊛 người 些， ta, 𤾓 𢆥 𥪞 𡎝 𠊛 些， Trăm năm trong cõi người ta, A hundred years in the realm of humanity, 2) 𡨸 Chữ 才 tài 𡨸 chữ 命 mệnh 窖 khéo 𱺵 là 恄 ghét 𠑬。 nhau. 𡨸 才 𡨸 命 窖 𱺵 恄 𠑬。 Chữ tài chữ mệnh khéo là ghét nhau. Talent and destiny resent each other. 3) 𣦰 ...
Francis Nguyễn Trọng Trí, penname Hàn Mặc Tử (September 22, 1912 – November 11, 1940), was a Vietnamese poet.He was the most celebrated Vietnamese Catholic literary figure during the colonial era.
Hồ Xuân Hương (胡春香; 1772–1822) was a Vietnamese poet born at the end of the Lê dynasty. She grew up in an era of political and social turmoil – the time of the Tây Sơn rebellion and a three-decade civil war that led to Nguyễn Ánh seizing power as Emperor Gia Long and starting the Nguyễn dynasty .
The Tự Lực văn đoàn was an influential literary collective founded in 1932-1933 by Nhất Linh and Khái Hưng.They were one of the most significant political and literary movements in twentieth-century Vietnam and published significantly via their two journals, Phong Hóa (Mores, 1932–1936) and Ngày Nay (Today, 1936–1940, 1945) as well as their own publishing house (Đời Nay).