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The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
Qu Yuan (c. 340 BC ... Tianwen (Heavenly Questions) is named after a poem by Qu Yuan. The first mission to Mars, Tianwen-1, was launched on July 23, 2020, and reached ...
"Tianwen-1" (Chinese: 天问一号) is the program's first mission, and subsequent planetary missions will be numbered sequentially. [40] The name Tianwen is from the poem of the same name written by Qu Yuan (c. 340–278 BC). The title means "Questions to Tian", a Chinese term for both the sky and heavens.
The program's name "Tianwen", which literally means "questions to heaven", derived from the eponymous poem by the famous ancient poet Qu Yuan of the state of Chu during the Warring States period (475–221 BC). The name represents the Chinese people's relentless pursuit of truth, the country's cultural inheritance of its understanding of nature ...
The Chu Ci, variously translated as Verses of Chu, Songs of Chu, or Elegies of Chu, is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period, as well as a large number of works composed during the Han dynasty several centuries later.
This is a list of the sections and individual pieces contained within the ancient poetry anthology Chu Ci (traditional Chinese: 楚辭; simplified Chinese: 楚辞; pinyin: chǔ cí; Wade–Giles: Ch'u Tz'u), also known as Songs of the South or Songs of Chu, which is an anthology of Classical Chinese poetry verse traditionally attributed to Qu Yuan and Song Yu from the Warring States period ...
The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
In his chapter on the patriotic minister and poet Qu Yuan, Sima Qian writes, "I have read [Qu Yuan's works] Li Sao, Tianwen ("Heaven Asking"), Zhaohun (summoning the soul), and Ai Ying (Lament for Ying)".