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The sculpted images of Beautiful Madonnas represent the Beautiful style, a stylistic trend shaped during the Gothic period in Central Europe. Before World War II, the sculpture of the Beautiful Madonna was located in the church of St. John, the former parish church of the Old Town, now a cathedral of the Diocese of Toruń.
Albrecht Dürer inherited the forms of Gothic art so deeply rooted in his country, but evolved thanks to the study of Italian Renaissance classicism. Some of his early works show the Gothic female prototype of elongated figures with small breasts and bulging bellies, as in Hausfrau (1493), Women's Bath (1496) and The Four Witches (1497 ...
The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
Late Gothic sculptures of the Virgin and Child may show a standing virgin with the child in her arms. Iconography varies between public images and private images supplied on a smaller scale and meant for personal devotion in the chamber: the Virgin suckling the Child (such as the Madonna Litta) is an image largely confined to private devotional ...
The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
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