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Metre (music) In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. [not verified in body] A variety of systems ...
Rejuvenation is the fifth studio album by the New Orleans funk group The Meters. It was released in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time, [6] and 139 in a 2012 revised list. [7]
The Meters (later The Funky Meters) are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other ...
Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974. It was his first effort after three album releases co-fronting the band Vinegar Joe. [5][6] Palmer is backed by The Meters and Lowell George of Little Feat. Multiple reviewers have commented that Palmer sang confidently on this album, despite being ...
The stress pattern can be 2+2+3, 3+2+2, or occasionally 2+3+2, although a survey of certain forms of mostly American popular music suggests that 2+2+3 is the most common among these three in these styles. [1] A time signature of 21 8, however, does not necessarily mean that the bar is a compound septuple meter with seven beats, each divided ...
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units. 8.
Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval. Polyrhythm (/ ˈpɒlirɪðəm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]
In simple quintuple meter, the 5 may be replaced as 2+3 8 or 2+1+2 8 for example. [1] A time signature of 15 8, however, does not necessarily mean the music is in a compound quintuple meter. It may, for example, indicate a bar of triple meter in which each beat is subdivided into five parts.