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The Self-Portrait with a Friend (also known as Double Portrait and as Raphael and His Fencing Master [1]) is a painting by Italian High Renaissance painter Raphael.It dates to 1518–1520, [2] and is in the Louvre Museum of Paris, France.
Le Sommeil (translated in English variously as The Sleepers and Sleep) is an erotic [1] oil painting on canvas by French artist Gustave Courbet [2] created in 1866. [3] The painting, which depicts a lesbian couple, is also known as The Two Friends (Les Deux Amies) and Indolence and Lust (Paresse et Luxure).
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century. Bishop Aubert ...
The painting, combining figures, still-life, and landscape in one work, depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France. The painter and art patron, Gustave Caillebotte, is seated in the lower right.
The paintings from this arrangement were thus different from his previous depictions of friends and lovers in that they were funded by Zborowski either for his own collection, as a favor to his friend, or with an eye to their "commercial potential", rather than originating from the artist's personal circle of acquaintances. [35]
Most of Russell's portrayals of white women are shown as "pure" and non-sexual, other than those paintings specifically depicting prostitutes. In contrast, his series of five Keeoma paintings and related images show a sensual native woman. They are documented by the statement that Keeoma was a real woman whom Russell had loved.
The first full, factual account of Artemisia's life, The Image of the Female Hero in Italian Baroque Art, was published in 1989 by Mary Garrard, a feminist art historian. She then published a second, smaller book entitled Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity in 2001 that explored the artist's work ...
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