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Tonal may refer to: Tonal (mythology) , a concept in the belief systems and traditions of Mesoamerican cultures, involving a spiritual link between a person and an animal Tonal language , a type of language in which pitch is used to make phonemic distinctions
Tonal is a concept within the study of Mesoamerican religion, cosmology, folklore and anthropology. It is a belief found in many indigenous Mesoamerican cultures that a person upon being born acquires a close spiritual link to an animal, a link that lasts throughout the lives of both creatures.
Tonalli (see also: Tonal) plays a multiplicity of roles; acting as a day sign, body part, and a symbol of the sun's warmth. Ancient Nahua people believed that it was located in the hair and the fontanel area of one's skull, and that the tonalli provided the “vigor and energy for growth and development”. [1]
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Pages in category "Tonal languages" The following 68 pages are in this category, out of 68 total. This list may not reflect recent changes. ...
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality.. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic.
Tone sandhi occurs to some extent in nearly all tonal languages, manifesting itself in different ways. [1] Tonal languages, characterized by their use of pitch to affect meaning, appear all over the world, especially in the Niger-Congo language family of Africa, and the Sino-Tibetan language family of East Asia, [2] as well as other East Asian languages such as Kra-Dai, and Papuan languages.
Known at the time as tonal realism or Meldrumism, the movement was founded by artist and art teacher Max Meldrum, who developed a unique theory of painting, the "Scientific Order of Impressions". He argued that painting was a pure science of optical analysis, and believed that a painter should aim to create an exact illusion of spatial depth by ...