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[1] [5] The album is named after the discredited pseudoscience of phrenology, the study of head shapes to determine intelligence and character, which was used to rationalize racism during the 19th century in the United States. [6] Its cover art was created by artist/printmaker Tom Huck. [7]
The album cover features an indigenous man of the Karajá tribe taken from a 1990 banknote of the discontinued Brazilian cruzeiro, to which artist Michael Whelan added a locket with Sepultura's "tribal S" logo and a background of red roots. [24] [7] Much of Roots references Brazilian culture, history, lore, and politics, either directly or ...
The album debuted at number four on the U.S. Billboard 200 chart, selling 109,000 copies in its first week. [21] Despite mixed criticism towards its production and lyrical substance, [5] [9] [17] [22] The Tipping Point received generally positive reviews from most music critics, based on an aggregate score of 72 out of 100 on Metacritic.
Albums can have cover art created by the musician, as with Joni Mitchell's Clouds, [6] or by an associated musician, such as Bob Dylan's artwork for the cover of Music from Big Pink, by the Band, Dylan's backup band's first album. Artists known for their album cover art include Alex Steinweiss, an early pioneer in album cover art, Roger Dean ...
It should only contain pages that are The Roots albums or lists of The Roots albums, as well as subcategories containing those things (themselves set categories). Topics about The Roots albums in general should be placed in relevant topic categories .
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Album cover for the North American release of Are You Experienced (1967) by the Jimi Hendrix Experience. An album cover (also referred to as album art) is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to: the printed paperboard covers typically used to package:
Roots is Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield's best works but also as a classic release of the '70s soul era, with Allmusic critic Bruce Eder stating that "the album soars on some of the sweetest and most eloquent... soul sounds heard up to that time".