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Phrenology is the fifth studio album by American hip hop band the Roots, released on November 26, 2002, by MCA Records.Recording sessions for the album took place during June 2000 to September 2002 [1] at Electric Lady Studios in New York. [2]
The album cover features an indigenous man of the Karajá tribe taken from a 1990 banknote of the discontinued Brazilian cruzeiro, to which artist Michael Whelan added a locket with Sepultura's "tribal S" logo and a background of red roots. [24] [7] Much of Roots references Brazilian culture, history, lore, and politics, either directly or ...
It should only contain pages that are The Roots albums or lists of The Roots albums, as well as subcategories containing those things (themselves set categories). Topics about The Roots albums in general should be placed in relevant topic categories .
The album debuted at number four on the U.S. Billboard 200 chart, selling 109,000 copies in its first week. [21] Despite mixed criticism towards its production and lyrical substance, [5] [9] [17] [22] The Tipping Point received generally positive reviews from most music critics, based on an aggregate score of 72 out of 100 on Metacritic.
For the category of fair use images of album cover art, see Category:Album covers by visual artist Subcategories This category has the following 76 subcategories, out of 76 total.
To place a file in this category, add the tag {{Non-free album cover}} to the bottom of the file's description page. If you are not sure which category a file belongs to, consult the file copyright tag page .
Albums can have cover art created by the musician, as with Joni Mitchell's Clouds, [6] or by an associated musician, such as Bob Dylan's artwork for the cover of Music from Big Pink, by the Band, Dylan's backup band's first album. Artists known for their album cover art include Alex Steinweiss, an early pioneer in album cover art, Roger Dean ...
Things Fall Apart is the fourth studio album by American hip hop band the Roots, released on February 23, 1999, by MCA Records.Recording sessions for the album took place at Electric Lady during 1997 to 1998, coinciding with recording for other projects of the Soulquarians collective, including D'Angelo's Voodoo (2000), Erykah Badu's Mama's Gun (2000), and Common's Like Water for Chocolate (2000).