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Baoyi bodai – a simple, loose-fitting robes with long, open sleeves, a style worn by men which provided a carefree look to its wearer. [4]: 14 Daopao; Guipao [4]: 14 Jiaolingpao – long robe with a cross-collar closing which closes to the right; worn since the Zhou dynasty. [1] Panling lanshan vs Yuanlingpao vs Fanlingpao
Types include tops and bottoms, long skirt, and one-piece robes that wrap around the body once or several times (shenyi). Zhongyi (中衣), which is usually the inner garment much like a Western T-shirt and pants, can be wear along in casual. The typical set of informal wear consists of two or three layers. The first layer is mostly zhongyi ...
Modern-day Buddhist monks and laity refer to the long Buddhist robe as haiqing (Chinese: 海青). [23] The wearing of these long robes by Buddhist monks is a legacy of the Tang and Song period. [23] In ancient times, the haiqing was adopted by the Chan temples. [8] The haiqing originated from the hanfu-style worn in the Han and Tang dynasties. [14]
A black changshan, along with a rounded black hat, was, and sometimes still is, the burial attire for Chinese men. Changshan are not often worn today [update] in mainland China, except during traditional Chinese celebrations but, with the revival of some traditional clothing in urban mainland China, the Shanghainese style functions as a stylish ...
It was gathered in at each side (of the body). The sleeve could be turned back to the elbow. The outer or under garment joined on to the sleeve and covered a cubit of it. The collar was 2 inches wide; the cuff, a cubit and 2 inches long; the border, 1.5 inch broad. To wear silk under or inside linen was contrary to rule. [《朝玄端 ...
In China, the jiasha refers to a one-piece, patchworked rectangular fabric which is worn over a long one-piece, cross-collar robe known as zhiduo. [10] During the early period of Chinese Buddhism, the most common color was red. Later, the color of the robes came to serve as a way to distinguish monastics, just as they did in India.
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