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Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures. Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The ...
Moore's large stone sculpture depicts a reclining female figure, which resembles the undulating landscape of the South Downs nearby. Chermayeff's commission was the first free-standing sculpture that Moore made to complement a specific building, a requirement that became a key feature of his later work. Moore considered the work to be site ...
Italian Renaissance sculpture rightly regarded the standing statue as the key form of Roman art, and there was a great revival of statues of both religious and secular figures, to which most of the leading figures contributed, led by Donatello and Michelangelo. The equestrian statue, a great technical challenge, was mastered again, and ...
The sculptor Donatello returned to classical techniques such as contrapposto and classical subjects like the unsupported nude—his second sculpture of David was the first free-standing bronze nude created in Europe since the Roman Empire. The sculptor and architect Brunelleschi studied the architectural ideas of ancient Roman buildings for ...
The core of the sculpture was carved from a single piece of wood, most likely from a poplar tree, [2] though earlier art historians have assumed it to be pear, plum or lime. The sculpture's surface is entirely covered with sheets of gold leaf less than 0.25 millimetres (0.01 in) thick, which are held in place by minute golden bolts.
Kouros (Ancient Greek: κοῦρος, pronounced, plural kouroi) is the modern term [a] given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia , with a less frequent presence in many other Ancient Greek territories such as Sicily.
The kouros first appeared on the art market in 1983 when the Basel dealer Gianfranco Becchina offered the work to the Getty's curator of antiquities, Jiří Frel.Frel deposited the sculpture (then in seven pieces) at Pacific Palisades along with a number of documents purporting to attest to the statue's authenticity.
[2] [3] The chosen location was a vacant piece of ground next to the timber market, opposite the new harbour. Erection of the scaffolding began on 21 September 1910. The statue was unveiled on 4 March 1911. [1] [4] [5] It was the first free-standing sculpture in public space in Cologne. [6] Detail of the statue from a different angle
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