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"Reptile" is a song by Australian alternative rock band The Church. It was released as a single from their 1988 album Starfish, and the songwriting credits are given to all four members of the band. Inspired by a real-life encounter with a reptile, "Reptile" is based around a prominent guitar riff.
Singer, songwriter, and bass guitarist Steve Kilbey first played with guitarist Peter Koppes in a glam rock band called Baby Grande in Canberra, Australia in the mid-1970s. [5] [6] After each had left to travel and play in other bands, including Tactics (Kilbey) and Limazine (Koppes), they met again in Sydney in March 1980 and formed the initial three-piece version of The Church, with Limazine ...
"Under the Milky Way" is a single by Australian alternative rock band the Church, released on 15 February 1988, [1] and appears on their fifth studio album Starfish. The song was written by bass guitarist and lead vocalist Steve Kilbey and his then-girlfriend Karin Jansson of Curious (Yellow) .
"Metropolis" is a song by Australian alternative rock band the Church. It was released as the lead single from their sixth album, Gold Afternoon Fix (1990), and the songwriting credits were given to all four members of the band.
"The Unguarded Moment" is a song by Australian alternative rock band the Church, released in March 1981. [3] It was the second single from their 1981 debut album, Of Skins and Heart. [4] It was written by Steve Kilbey, the group's frontman, singer and bass guitarist; and Mikela Uniacke (a.k.a. Michelle Parker), [2] who were married at the time.
"Electric Lash" is a song by Australian alternative rock band The Church. [1] It was released as a single from the album Seance. [2] It was a hit single in 1983. [3] In Steve Kilbey's 2014 memoir "Something Quite Peculiar" [4] Kilbey wrote that then 3XY journalist Jennifer Keyte was "the voice of the girl on the radio" in the song's lyrics.
Heyday is the fourth album by the Australian alternative rock band The Church, released in November 1985. [4] The album marked the first occasion when group compositions dominated one of the band's releases. Steve Kilbey has said: "The demo situation was getting to us - me writing the songs on my eight-track and bringing them along to the band.
Dom Gourlay of Under the Radar scored The Hypnogogue a 7.5 out of 10, stating that it "reaffirms why this band have been held in high esteem for so long" and the two ending tracks elevate "The Hypnagogue to even dizzier heights among the higher echelons of The Church's already impressive canon". [6]