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A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
The following is a list of common metonyms. [n 1] A metonym is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept. For instance, "Westminster", a borough of London in the United Kingdom, could be used as a metonym for the ...
For example, the Odin article links to a list of names of Odin, which include kennings. A few examples of Odin's kennings are given here. A few examples of Odin's kennings are given here. For a scholarly list of kennings see Meissner's Die Kenningar der Skalden (1921) or some editions of Snorri Sturluson 's Skáldskaparmál .
Sometimes, metaphor and metonymy may both be at work in the same figure of speech, or one could interpret a phrase metaphorically or metonymically. For example, the phrase "lend me your ear" could be analyzed in a number of ways. One could imagine the following interpretations:
The iceberg has become a metaphor in the cultural reception of the disaster. The iceberg is a counterpart to the luxurious ship, standing for the cold and silent force of nature that cost the lives of so many people. The iceberg became a metaphor in various political and religious contexts, and has appeared in poetry as well as in pop culture.
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...
The iceberg metaphor shows nothing of the physiological (real) structure of the brain, the possible organic correspondences of the three psychic instances or their functions. Instead it is a commonly used visual metaphor depicting the relationship between the ego, id and superego agencies (structural model) and the conscious and unconscious ...
Of his iceberg theory, she claims, it "is also a glacier waterfall, infused with movement by his multi-focal aesthetic". [11] Furthermore, she believes that Hemingway's iceberg theory "demanded that the reader feel the whole story" and that the reader is meant to "fill the gaps left by his omissions with their feelings". [11]