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1942 [17] Momotaro's Sea Eagles: 桃太郎の海鷲: Momotarou no Umiwashi: Film: 1942 [2] Mountain Mobilization: お山の総動員: Oyama no Soudouin: Short Film: 1942 [18] Princess Kaguya: かぐや姫: Kaguya Hime: Short Film: 1942 [19] Sankichi the Monkey: The Air Combat: お猿の三吉～防空戦: Osaru no Sankichi: Boukuusen: Short ...
These are films set during the Japanese occupation of the Philippines (1942-1945) in World War II, including those based on fact and fiction. Pages in category "Japanese occupation of the Philippines films"
The Battle of Hong Kong Honkon kōryaku: Eikoku kuzururu no hi (香港攻略 英国崩るゝの日) (Chinese: 香港攻略), also known as The Day England Fell, is the sole film made in Hong Kong during the Japanese occupation from 1941 to 1945. [2] The 1942 film was produced by the Japanese Dai Nippon Film Company, was directed by Shigeo ...
1945: The Men Who Tread on the Tiger's Tail: Akira Kurosawa: Susumu Fujita: Samurai film: Momotarō: Umi no Shinpei: Mitsuyo Seo: Propaganda Animation: Sanshiro Sugata Part II: Akira Kurosawa: Denjiro Okochi: Martial arts film: 1946: Aru yo no Tonosama: Teinosuke Kinugasa: A Descendant of Taro Urashima: Mikio Naruse: Susumu Fujita, Nobuo ...
Momotaro: Sacred Sailors (桃太郎 海の神兵, Momotarō: Umi no Shinpei) [2] is the first Japanese feature-length animated film. [3] It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for World War II by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on ...
Momotaro is a popular Japanese folk hero, but during the 1910s-40s, was used as a propaganda figure.. Momotarō no Umiwashi (桃太郎の海鷲, English translation: Momotarō's Sea Eagles) is an animated Japanese propaganda film produced in 1942 by Geijutsu Eigasha and released on March 25, 1943.
Manila during the Japanese occupation. The Japanese occupation of the Philippines (Filipino: Pananakop ng mga Hapones sa Pilipinas; Japanese: 日本のフィリピン占領, romanized: Nihon no Firipin Senryō) occurred between 1942 and 1945, when the Japanese Empire occupied the Commonwealth of the Philippines during World War II.
The cartoon, and the stereotypical Japanese characters in particular, are done in a style typical of American propaganda during World War II. Many cartoons of the time followed a similar vein, such as the Schlesinger/Warner Bros. cartoons Scrap Happy Daffy (1943), Daffy - The Commando (1943), and Herr Meets Hare (1945).
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