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Robert Joseph Farnon CM [1] (24 July 1917 – 23 April 2005) was a Canadian-born composer, conductor, musical arranger and trumpet player.As well as being a composer of original works (often in the light music genre), he was commissioned by film and television producers for theme and incidental music.
Inside the White City was a movie theater, The Orpheum Theater, which was open all year round was owned by Doc Dewaltop from 1913 until it was destroyed by a fire in 1921. Jimmie’s Restaurant started out as Jimmie’s Hotdog Stand. It was famous for its split-top hotdogs. [10] Postcard c. 1950s
The White City, an "ideal city" constructed for the 1893 World's Columbian Exposition in Chicago, Illinois White City (Indianapolis) , an amusement in Indiana, 1906–1908 White City (New Orleans) , an amusement park in Louisiana, 1907–1913
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
"The first movie with my music came out in 1968, the last – in 2011. Cinema is a whole separate life, my most important and favorite genre. In cinema music I was able to express all of my stylistic aspirations; I got to work with great orchestras, musicians, and movie directors from around the world" [75] – says Eugen Doga.
White City: A Novel is the fifth solo studio album by the English rock musician Pete Townshend, released on 11 November 1985 by Atco Records. [3] The album was produced by Chris Thomas (who had also produced Townshend's previous two albums, Empty Glass and All the Best Cowboys Have Chinese Eyes) and it was recorded by Bill Price at three separate recording studios in London, England: both of ...
Wagnerism: Art and Politics in the Shadow of Music. New York: Farrar, Straus and Giroux. ISBN 9780374285937; Sangild, Torben (2015). "Buñuel's Liebestod – Wagner's Tristan in Luis Buñuel's early films: Un Chien Andalou and L'Âge d'Or", in JMM: The Journal of Music and Meaning, vol. 13, 2014/2015, pp. 20–59. Retrieved 16 August 2017.
In 1943, after a brief spell as an insurance clerk, Goodwin joined Campbell, Connelly and Company, a music publisher. [2] His job was a copyist and arranger and went on to work in that role for the BBC. [2] He entered the world of movie music through documentary films, which he said was "a very good training".