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Parveen Shakir PP (pronounced [ˈpəɾʋiːn ʃɑːkɪɾ]; 24 November 1952 – 26 December 1994) was a Pakistani poet and civil servant of the government of Pakistan.She is best known for her poems, which brought a distinctive feminine voice to Urdu literature.
Ashob is regarded by scholars as an important historical genre in Persian, Urdu and Turkish literature used by the writers to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs generally describe emotional and thoughts of a writer in a narrative poetic format based on several features. [6]
Syed Hussain Sibt-e-Asghar Naqvi, [2] [a] commonly known by his pen name Jaun Elia, [b] 14 December 1931 – 8 November 2002), was a Pakistani poet.One of the most prominent modern Urdu poets of ghazals (odes), popular for his unconventional ways, he "acquired knowledge of philosophy, logic, Islamic history, the Muslim Sufi tradition, Muslim religious sciences, Western literature, and Kabbala ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
"Dastur" (Urdu: دستور) is an Urdu nazm (poem) written by the Pakistani poet Habib Jalib. [1] This poem is also known as "Main Nahi Manta". [2] It comes under the resistance poem category because of its relevance and subject. It is written as a voice of protest to a law introduced by General Ayub Khan in 1962, in Pakistan. [3]
Jan Nisar Akhtar (18 February 1914 – 19 August 1976) was an Indian poet of Urdu ghazals and nazms, and a part of the Progressive Writers' Movement, who was also a lyricist for Bollywood. [1] He was the son of Muztar Khairabadi and great grandson of Fazl-e-Haq Khairabadi, who were both Urdu poets.
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].
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