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Coma of a single lens. Each cone of light focuses on different planes along the optical axis. In optics (especially telescopes), the coma (/ ˈ k oʊ m ə /), or comatic aberration, in an optical system refers to aberration inherent to certain optical designs or due to imperfection in the lens or other components that results in off-axis point sources such as stars appearing distorted ...
In most cases, two thin lenses are combined, one of which has just so strong a positive aberration (under-correction, vide supra) as the other a negative; the first must be a positive lens and the second a negative lens; the powers, however: may differ, so that the desired effect of the lens is maintained. It is generally an advantage to secure ...
As a lens is stopped down from its maximum (widest) aperture, most lens aberrations (spherical aberration, coma and astigmatism) are decreased, but lens diffraction increases. The effect is that for most lenses, the balance between the decreasing aberrations and the increasing diffraction effects of stopping down the lens means that lenses have ...
A photographic lens is usually composed of several lens elements, which combine to reduce the effects of chromatic aberration, coma, spherical aberration, and other aberrations. A simple example is the three-element Cooke triplet , still in use over a century after it was first designed, but many current photographic lenses are much more complex.
For example, if it is known that a lens DoF scale is based on a CoC of 0.035 mm, and the actual conditions require a CoC of 0.025 mm, the CoC must be decreased by a factor of 0.035 / 0.025 = 1.4; this can be accomplished by increasing the f-number determined from the DoF scale by the same factor, or about 1 stop, so the lens can simply be ...
The bottom example depicts a real lens with spherical surfaces, which produces spherical aberration: The different rays do not meet after the lens in one focal point. The further the rays are from the optical axis, the closer to the lens they intersect the optical axis (positive spherical aberration). (Drawing is exaggerated.)
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
Ironically, the two groups in a Petzval portrait lens are primarily intended to control spherical aberration and coma, but actually make field curvature worse. This tradeoff was desirable because for a long focus lens better correction of spherical aberration and coma permits a faster aperture setting, which is more important than any defect of ...