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Abdul Samad bin Mohamed Said (born 9 April 1935) [1] [2] is a Malaysian novelist and poet. In May 1976, he was named by Malaysia literature communities and many of the country's linguists as the Pejuang Sastera [Literary Exponent] receiving, within the following decade, the 1979 Southeast Asia Write Award and, in 1986, in appreciation of his continuous writings and contributions to the nation ...
Gurindam #11-12 traditional Malay poetry in Penyengat Island of Indonesia Gurindam 12 of Raja Ali Haji in Tanjung Pinang monument. Gurindam (Jawi: ڬوريندام) is a type of irregular verse form of traditional Malay poetry.
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "
Pogadaev, Victor (16 March 2002), ‘Dari Bintang ke Bintang’ papar kekuatan puisi Usman ("From One Star To Another" Shows the High Level of Usman' Poetry). – Berita Harian; Zurinah Hassan, (2006) Sasterawan negara Usman Awang (National Laureate Usman Awang). Kuala Lumpur:Dewan Bahasa dan Pustaka.
Chairil Anwar (26 July 1922 – 28 April 1949) was an Indonesian poet and member of the "1945 Generation" of writers.He is estimated to have written 96 works, including 70 individual poems.
A semi-autobiographical novel that cuts across several genres - historical, travel, mystery, and romance - Pulau Renik Ungu depicts Zaidah, a Malaysian university lecturer who travels the world for her doctoral research.
Puisi Tak Terkuburkan (literally Unburied Poetry; released in English as A Poet: Unconcealed Poetry) is a 2000 award-winning Indonesian documentary/drama directed by Garin Nugroho in black and white. At the 2001 Singapore International Film Festival the film won the FIPRESCI Prize and the Silver Screen Award for Best Asian Actor which went to ...
The Malay Annals is historical literature written in the form of narrative-prose with its main theme being lauding the greatness and superiority of Malacca. [32] The narration, while seemingly relating the story of the reign of the sultans of Malacca until the destruction of the sultanate by the Portuguese in 1511 and beyond, deals with a core issue of Malay statehood and historiography, the ...