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Buoyancy also applies to fluid mixtures, and is the most common driving force of convection currents. In these cases, the mathematical modelling is altered to apply to continua, but the principles remain the same. Examples of buoyancy driven flows include the spontaneous separation of air and water or oil and water.
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
Science in science fiction is the study or of how science is portrayed in works of science fiction, including novels, stories, and films. It covers a large range of topics. Hard science fiction is based on engineering or the "hard" sciences (for example, physics, astronomy, or chemistry).
Although the term fluid generally includes both the liquid and gas phases, its definition varies among branches of science. Definitions of solid vary as well, and depending on field, some substances can have both fluid and solid properties. [2] Non-Newtonian fluids like Silly Putty appear to behave similar to a solid when a sudden force is ...
American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...
In American science fiction of the 1950s and '60s, psionics was a proposed discipline that applied principles of engineering (especially electronics) to the study (and employment) of paranormal or psychic phenomena, such as extrasensory perception, telepathy and psychokinesis. [1]
Slipstream fiction has been described as "the fiction of strangeness", [6] or a form of writing that makes "the familiar strange or the strange familiar" through skepticism about elements of reality. [7] Illustrating this, prototypes of the style of slipstream are considered to exist in the stories of Franz Kafka and Jorge Luis Borges. [8]
Boris Karloff in James Whale's 1931 film Frankenstein, based on Mary Shelley's 1818 novel.The monster is created by an unorthodox biology experiment.. Biology appears in fiction, especially but not only in science fiction, both in the shape of real aspects of the science, used as themes or plot devices, and in the form of fictional elements, whether fictional extensions or applications of ...