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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
Piedmont blues (also known as East Coast, or Southeastern blues) refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern [1] supports a syncopated melody using the treble strings generally picked with the fore-finger, occasionally others. [2]
[9] Blues standards that appeared on the main charts [b] in the 1960s and 1970s often had been recorded by rhythm and blues, soul, and rock musicians. [10] Each song listed has been identified by five or more music writers as a blues standard. Spellings and titles may differ; the most common are used.
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."
This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
where each cell in the table represents one measure (or "bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord.Twelve-bar progressions are formed by applying one of several formulae, including the following.
Blues shuffle or boogie played on guitar in E major [1] (Play ⓘ). Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The ...