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Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The Brink's Job: William Friedkin 1978 United States [56] Buster and Billie: Daniel Petrie: 1974 United States [8] Capricorn One: Peter Hyams: 1977 United States [56] Le Cercle Rouge: Jean-Pierre Melville 1970 France/Italy [57] The Champ: Franco Zeffirelli: 1979 United States [56] Chandler: Paul Magwood 1971 United States [8] Charley Varrick ...
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; lit. ' black horror ' ) is a film subgenre that blends elements of both horror and noir . It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both.
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
Nightmare Alley is a 2021 neo-noir psychological thriller film co-written and directed by Guillermo del Toro, and based on the 1946 novel of the same name by William Lindsay Gresham. It is the second feature film adaptation of Gresham's novel, following the 1947 film .
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