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an invited man/woman for a show, or "one who has come"; the term is unused in modern French, though it can still be heard in a few expressions like bienvenu/e (literally "well come": welcome) or le premier venu (anyone; literally, "the first who came"). Almost exclusively used in modern English as a noun meaning the location where a meeting or ...
Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
More Than Ever (French: Plus que jamais) is a 2022 drama film directed by Emily Atef, starring Vicky Krieps and Gaspard Ulliel in his penultimate film before his death. It is a co-production between France, Germany, Luxembourg, and Norway. [4] The film made its world premiere at the 75th Cannes Film Festival in the Un Certain Regard section on ...
The Service de documentation extérieure et de contre-espionnage (SDCE, French secret service) agent, Josselin Beaumont, known as Joss, is sent to Malagawi (fictitious country, representing the former French colonies in Africa at the dawn of the 1980s), to kill the country's president for life, Colonel N' Jala, dictator and enemy of French interests.
La plume de ma tante ("the quill of my aunt") is a phrase attributed to elementary French language instruction (possibly as early as the 19th century [1]) and used as an example of grammatically correct phrases with limited practical application that are sometimes taught in introductory foreign language texts.
See You Up There (French: Au revoir là-haut) is a 2017 French historical war drama film written and directed by and starring Albert Dupontel, adapted from the 2013 novel The Great Swindle (Au revoir là-haut in French) by Pierre Lemaitre.
In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay. [1] The expression is borrowed from "sales pitch". [2]
The movement published journals and periodicals reviewing recent films and discussing trends and ideas about cinema. Cine-clubs were also formed by filmmakers and enthusiasts, which screened hand picked films: select American fare, German and Swedish films, but most often films made by the members of the clubs themselves.