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Paintings from Rubens's workshop can be divided into three categories: those he painted by himself, those he painted in part (mainly hands and faces), and copies supervised from his drawings or oil sketches. He had, as was usual at the time, a large workshop with many apprentices and students.
Leda and the Swan is an oil painting by Peter Paul Rubens, who painted two versions of this subject. The first was completed in 1601 and the second in 1602. Rubens was heavily influenced by Michelangelo, [1] and both paintings are variations on Michelangelo's famous lost painting, which is known from copies and prints. [2]
This painting was created on the cusp of the age of absolutism and, as such, one must remember royalty were considered above corporeal existence. So from birth, Marie would have led a life more ornamental than mortal. This painting of classical gods, along with allegorical personifications, aptly shows the viewer how fundamental this idea was. [43]
The figures in the painting are depicted with exaggerated expressions of grief and sadness, emphasizing the emotional impact of Christ's death. The painting invites the viewer to reflect on the importance of Christ's sacrifice and to deepen their emotional devotion to him. The image serves to remind the faithful of Christ's divine nature. [4]
The drawing was used as a basis for three oil portraits. The 1621 painting of Brant outside the portico of the family home, was done by Rubens' pupil, Anthony van Dyck as a parting gift to his mentor. The striking similarity between the portrait and drawing meant that van Dyck would have had access to the sketch for this work.
The Three Graces is an oil painting of the Three Graces by Peter Paul Rubens.. The painting was held in the personal collection of the artist until his death, then was purchased by king Philip IV of Spain and in 1666 it went to the Royal Alcazar of Madrid, before hanging in the Museo del Prado.
The Judgement of Paris refers to any of the several paintings of the Judgement of Paris produced by Peter Paul Rubens, though he did not match the 22 depictions of the subject attributed to Lucas Cranach the Elder. There were versions before about 1606, then he returned to the subject thirty years later; all take the opportunity to show nude ...
The Garden of Love, Peter Paul Rubens, 1630-1631. The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. [1]