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Between the Devil and the Deep Blue Sea (film) Between Two Worlds (1944 film) Beyond the Poseidon Adventure; Bharat (film) Bheegi Raat; Bhoot – Part One: The Haunted Ship; Blood on the Sun; Blue (2009 film) The Bluff (upcoming film) The Boat That Rocked; The Bounty (1984 film) Brainwashed (film) Britannic (film) Buddy's Show Boat
The Boat (1921 film) C. Cabin Boy; Cape Fear (1962 film) Cape Fear (1991 film) Cargo (2017 film) Chembaruthi; Crocodile (2000 film) Cupid One; Cyclone (1978 film) D ...
In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes. In film, the principle of a matte requires masking certain areas of the film emulsion to selectively control which areas are exposed. However, many complex special ...
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography , it consists of silver halide crystals dispersed in gelatin . The emulsion is usually coated onto a substrate of glass , films (of cellulose nitrate , cellulose acetate or polyester ), paper, or fabric.
Sheet film is large format and medium format photographic film supplied on individual sheets of acetate or polyester film base rather than rolls. Sheet film was initially supplied as an alternative to glass plates. The most popular size measures 100 mm × 130 mm (4 in × 5 in); smaller and larger sizes including the gigantic 510 mm × 610 mm ...
A piece of film consists of a light-sensitive emulsion applied to a tough, transparent base, sometimes attached to anti-halation backing or "rem-jet" layer (now only on camera films). Originally the highly flammable cellulose nitrate was used. In the 1930s, film manufacturers introduced "safety film" with a cellulose triacetate plastic base ...
A film base is a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock .
Cellulose diacetate film was first created by the German chemists Arthur Eichengrün and Theodore Becker, who patented it under the name Cellit, from a process they devised in 1901 for the direct acetylation of cellulose at a low temperature to prevent its degradation, which permitted the degree of acetylation to be controlled, thereby avoiding total conversion to its triacetate.